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Graphic

Explore 745 award-winning designs tagged Graphic on Design Today.

Suzhou Bay Grand Theatre Visual Design

Suzhou Bay Grand Theatre

Suzhou Bay Grand Theatre is a visual identity created for the annual announcement of a theatre in Suzhou, China. The design combines a keyhole and a Mobius strip. The keyhole connects two spaces and becomes a channel and a path. The Mobius strip passes through the keyhole like a key, marking the fifth anniversary of the theatre as a carrier of art. The Mobius strip also suggests infinity and refers to the form of the theatre. Elements from important repertoires are placed around the main image, returning the composition to the theme.

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Paraid Sans Type Specimen

Paraid Sans

Paraid Sans is a sans-serif typeface designed for branding, editorial, and digital communication. The type family includes eight weights, from Thin to Extra-Bold, built through modular master construction and interpolation. Balanced proportions and careful spacing support clear hierarchy and smooth reading at many sizes. OpenType features and extensive Latin language support are included, and the fonts are delivered in OTF format for print and screen use. The neutral structure allows Paraid Sans to support content without dominating a layout.

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Craftoria Brand Identity

Craftoria

Craftoria rebranding explores the intersection of historical art movements and modern wellness rituals. Inspired by 1920s art scene, the identity utilizes a refined serif wordmark and Victorian era illustration to position paint by numbers kits as a sophisticated, meditative activity. The structural design of the mailer packaging facilitates transition from exterior minimalism to a high contrast, richly colored interior, formalizing the unboxing as a gateway to creative focus. This cohesive system bridges nostalgic craftsmanship with modern lifestyle design to elevate the hobbyist experience.

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Rebrand Next  Branding

Rebrand Next

This project presents a visual identity system designed to represent coexistence and continuity between different generations within a shared institutional context. The proposal is based on a clear and modular geometric structure that enables flexible application while preserving visual consistency. The symbol combines formal simplicity with symbolic depth, allowing adaptation across multiple formats and audiences. The result is a durable and functional identity suited to environments that require balance between contemporary expression and tradition.

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Huashan Festival Visual Identity

Huashan

Huashan Rock Art Festival is a visual identity system created for a cultural festival in Chongzuo, Guangxi, China. The identity turns ancient pictographs from the Huashan rock art site into simple geometric graphics. A black and white palette and textured surfaces recall stone rubbings and weathered rock. Posters are made in landscape and portrait formats for small prints and large outdoor displays. Printed applications use recycled materials and plant-based inks. The aim is to make ancient heritage clear and accessible to modern viewers.

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Biblioteche di Roma Rebranding

Biblioteche di Roma

Biblioteche di Roma is a brand identity created for the public library network of the city of Rome. The identity marks the twenty-fifth anniversary of the library system and is intended to express innovation and accessibility. The historic logo showed a closed book resting on its side. The new symbol shows an open book that can also be read as the first letter of the name. The graphic sign is clean and essential. The identity is applied to the stationery system, digital touchpoints, advertising, outdoor media and signage.

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Olympic Sun Illustrated Book

Olympic Sun

A fully illustrated book about a trip to the Olympic Games in Tokyo 2021. Where a young boy, and his mother, visit the arena and fall in love with the variety of sports it offers and is blown away by all the inspirational athletic performances. At the end of the event, he leaves with happy memories and lessons that will help guide him to a better future full of achievements and put him on the path to success. The book features some of the most memorable athletes in the history of the Olympic games, using vibrant and dynamic illustrations in a playful and eye-candy coloring style.

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Agave De Ray Brand Identity

Agave De Ray

Agave De Ray presents a refined brand architecture for a Beijing based mezcal dealer, bridging Oaxacan heritage with urban hospitality. The project utilizes an adaptive identity where ingredients are personified as watchful spirits, merging playful illustration with a rigorous typographic system. By balancing artisanal textures with a muted earthen palette, the design establishes a sophisticated visual standard for boutique spirits, translating ancestral grit for a modern elite audience.

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Hua Shanday Cultural and Creative Design

Hua Shanday

Hua Shanday is a visual identity created for the Huashan Scenic Area in Guangxi, China, a UNESCO World Heritage site. The identity draws on the 2000-year-old Huashan Rock Art made by the Luoyue people. Ancient totems showing ritual prayer and collective labor are extracted and rebuilt as clean geometric icons. The color palette keeps the red ochre tone of the original rock paintings. The system is applied to signage, posters and digital media, so that wayfinding also becomes an accessible educational experience.

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Jiangnan Collection Visual Identity

Jiangnan Collection

Jiangnan Collection is a visual identity inspired by the water towns of southern China. The design reinterprets traditional architecture, rivers and everyday scenes through geometric composition and a modern color system. Cultural imagery is transformed into a scalable graphic system that adapts to lifestyle products such as silk scarves, paper cups, bookmarks and fridge magnets. The artwork was created with a digital illustration workflow and prepared in CMYK for accurate printing. The intent is to make regional heritage part of modern daily life.

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Taoxichuan Visual Design

Taoxichuan

Taoxichuan is a scroll illustration created for a ceramic culture district in Jingdezhen. The illustration presents 600 years of porcelain history and the development of the district in one continuous composition. A flat painting style and bright colors build a fantasy porcelain forest in which plants, porcelain and figures are blended. Three original characters, the Kiln God, the Wine God and the Sea God, appear along the route. The vector artwork is layered for flexible cropping and prepared in both CMYK and RGB. The scroll also works as a narrative map that guides visitors.

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Zhanlu Tea Brand Design

Zhanlu Tea

Zhanlu is a brand and packaging design for a herbal tea created for the Mausoleum of the Yellow Emperor. The concept draws on the image of morning dew in classical Chinese poetry, suggesting purity and light nourishment. The blend combines monk fruit, licorice, ophiopogon, raspberry, and Solomon's seal, following the traditional principle that sour and sweet flavors together help generate moisture. Each 5 g tea bag is sealed in a moisture proof sachet. Coated paperboard cartons use offset printing and hot stamping with Han inspired graphics.

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